Reflections from the studio
Writing on identity, typography and visual systems. No smoke — what we learn by doing, told straight.

The distance between Figma and the browser
A Figma file is a photograph of an intention. The browser is a live medium — with time, input, network and viewport. Between the two lies a distance almost nobody measures, and that's where it's decided whether a product feels good or merely looks good.
CRAFTJUL 2 2026

Process notes: what we keep when a project closes
Every project close leaves a useful residue almost nobody files: the discarded decisions, the dead ends, the version threes. This is what we keep, and why.
PROCESSJUN 18 2026

Paper still sells
A printed catalogue no longer informs: no product sheet competes with a website. What it does is something else, and that something else is exactly what a brand needs on a sales table.
EDITORIALJUN 4 2026

A one-day brand workshop
Eight hours, a room and the people who actually decide. What happens in a brand workshop, what comes out of it, and why it's the most profitable day of the whole project.
PROCESSMAY 28 2026

Typography as a system: choosing type that holds up
A digital identity doesn't rest on a logo — it rests on well-chosen type and three rules anyone can apply without calling us. This is how we approach it at the studio.
TYPOGRAPHYMAY 14 2026

The brief that isn't a brief
Almost no brief describes a problem: it describes a solution someone has already decided on. How we take the document apart in the first meeting to get to what actually needs solving.
PROCESSAPR 23 2026

The grid is a promise
A grid doesn't tidy up: it promises. It tells the reader where everything will be next time, and keeping that promise is worth more than any brilliant layout that breaks it.
TYPOGRAPHYAPR 9 2026

A website loads in your head first
Milliseconds matter, but less than the order in which a page tells you what it is. Why we measure perceived speed before technical speed, and what that changes in how we build.
WEBMAR 19 2026
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